1. the so-called “Yogalehrbuch” (in Sanskrit);
2. the *Yogâcārabhūmi of Buddhasena 達摩多羅禪經 T 618, translation ascribed to Buddhabhadra 佛陀跋陀羅;
3. the “Manual on Sitting in Dhyāna and Samādhi” (Dhyāna-niṣṭhita-samādhi-dharma-paryāya-sūtra) 坐禪三昧經 T 614, translation ascribed to Kumārajīva 鳩摩羅什 (344–413);
4. the “Essential Explanations of the Method for Sitting in Dhyāna” 禪法要解 T 616 (Kumārajīva);
5. the “Abridged Essence of Meditation” 思惟略要法 T 617 (Kumārajīva);
6. the “Essence of the Manual on the Fivefold Meditation” 五門禪經要用法 T 619, translation ascribed to Dharmamitra 曇摩蜜多 (356–442);
7. the “Manual of the Secret Essentials of Meditation” 禪祕要法經 T 613 (Kumārajīva);
8. the “Secret Essential Method to Cure Diseases Caused by Meditation” 治禪病祕要法 T 620, translation ascribed to Juqu Jingsheng 沮渠京聲 (?-464).

These texts, and the genre as a whole, are discussed in detail in Nobuyoshi Yamabe, “The Sutra on the Ocean-Like Samādhi of the Visualization of the Buddha: The Interfusion of the Chinese and Indian Cultures in Central Asia as Reflected in a Fifth Century Apocryphal Sūtra.” (PhD dissertation, Yale University, 1999), 59–114. Yamabe argues that the manuals of Kumārajīva, in general, have many Mahāyāna elements but little concrete imagery; texts by Dharmamitra and Juqu Jingsheng are 'more mystical' , but poorly organized, and contain many Chinese elements, alongside other features that may indicate composition in Chinese cultural areas (111–112).

References:

Greene, Eric. 2020. Chan Before Chan: Meditation, Repentance, and Visionary Experience in Chinese Buddhism. Honolulu:  University of Hawai`i Press.

Greene, Eric M. 2022. Secrets of Buddhist Meditation: Visionary Meditation Texts from Early Medieval China. Honolulu:  University of Hawai`i Press.